a sign of those times in nepal
Signage
PICS: SATISH SHARMA
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The creation of the
first cities and the invention of writing lie at the heart of our very idea of
civilisation. Indian photographer Satish Sharma, who currently lives in
Kathmandu, has been intrigued about how they began together and neither now
exists without the other. For the first time in modern history, urban dwellers
will outnumber rural dwellers, and city dwellers will be living in a
"torrent of text".
Sharma takes these texts
and makes photographic images of them in the urban context. Ahead of his exhibition
that opens in Siddhartha Art Gallery on Friday, Sharma told Nepali Times:
"It is these eyeball grabbing visual texts and their relationships with
the construction of our lives in our consumer oriented cities that interest me.
This is a relationship that I want to explore photographically in Texts and the
City."
Texts and the City
Siddhartha Art Gallery
Babar Mahal Revisited
23 September – 17 October
11AM- 6PM Daily
www.siddharthaartgallery.com
Siddhartha Art Gallery
Babar Mahal Revisited
23 September – 17 October
11AM- 6PM Daily
www.siddharthaartgallery.com
City words
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Nepali Times: How did you get inspired to do Texts and the City?
Satish Sharma: I love reading and read everything. The signs on the streets say so much more about places, cultures and people than books.
Satish Sharma: I love reading and read everything. The signs on the streets say so much more about places, cultures and people than books.
What was it about the signage in Kathmandu that grabbed you?
Their raw reflection of the chaotic growth the city is going through.
Their raw reflection of the chaotic growth the city is going through.
When does photography transcend satire of the misuse of language
to be a visual record of a landscape?
When it makes one look again. Actually see. And ask questions.
How this exhibition fit into the corpus of your other photography?
It continues to expand on my interest in the politics of photography: the politics of its use.
It continues to expand on my interest in the politics of photography: the politics of its use.
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