zero dark thirty. the dark depths it justifies.

 The film is more than just about  ' justifying torture '.  Naomi Wolf correctly  links  Bigelow to Riefenstahl , I think . But there is another deeper effect  the film will have on the world' Others. It will justify their killing . Killing without  due process. Secret assassinations and direct drone deaths have already  killed  too many around the world. That number will increase as the objections to the killings are 'justified'  in the Hollywood brainwashed minds of a numbed  and dumbed down populace.  Propaganda, after all, will now be a Perpetual Hollywood Ploy. Constantly deployed .

It takes a  South Asian voice to voice the concerns of  more than just the brown Asians   Thank you Deepa Kumar.

In a time of darkness in America, you are being feted by Hollywood, and hailed by major media. But to me, the path your career has now taken reminds of no one so much as that other female film pioneer who became, eventually, an apologist for evil: Leni Riefenstahl. Riefenstahl's 1935 Triumph of the Will, which glorified Nazi military power, was a massive hit in Germany. Riefenstahl was the first female film director to be hailed worldwide.

Leni Riefenstahl directing her crew at the Nazi part rally in Nuremberg, 1934, for her film Triumph of the Will. Photograph: Friedrich Rohrmann/EPA

It may seem extreme to make comparison with this other great, but profoundly compromised film-maker, but there are real echoes. When Riefenstahl began to glamorize the National Socialists, in the early 1930s, the Nazis' worst atrocities had not yet begun; yet abusive detention camps had already been opened to house political dissidents beyond the rule of law – the equivalent of today's Guantánamo, Bagram base, and other unnameable CIA "black sites". And Riefenstahl was lionised by the German elites and acclaimed for her propaganda on behalf of Hitler's regime.

But the world changed. The ugliness of what she did could not, over time, be hidden. Americans, too, will wake up and see through Zero Dark Thirty's apologia for the regime's standard lies that this brutality is somehow necessary. When that happens, the same community that now applauds you will recoil.

Like Riefenstahl, you are a great artist. But now you will be remembered forever as torture's handmaiden.

http://www.guardian.co.uk/commentisfree/2013/jan/04/letter-kathryn-bigelow-zero-dark-thirty?commentpage=3

While much of the air is being sucked up by this debate, scant attention has been paid to the larger, and in my view, more significant message of this film: that extra judicial killing is good. The film teaches us that brown men can and should be targeted and killed with impunity, in violation of international law, and that we should trust the CIA to act with all due diligence.

At a time when the key strategy in the “war on terror” has shifted from conventional warfare to extra judicial killing, here comes a film that normalizes and justifies this strategy. The controversy around this film will no doubt increase its box office success, but don’t expect mainstream debate on extra judicial killing. On this, there is bipartisan consent. Therefore the real scandal behind this Oscar nominated film—its shameless propaganda for extra judicial murder—will remain largely hidden.

Rebranding the Killing Machine

Zero Dark Thirty has very clear cut “good guys” and “bad guys.” The CIA characters, in particular Maya and Dan, are the heroes and brown men, be they Arab or South Asian, are the villains.

In an interesting reversal (first established by the TV show 24) torture, a characteristic normally associated with villains, is now associated with heroes. This shift is acceptable because all the brown men tortured in the film are guilty and therefore worthy of such treatment. Maya soon learns to overcome her hesitation as she becomes a willing participant in the use torture. In the process, audiences are invited to advance with her from discomfort to acceptance.

A clear “us” versus “them” mentality is established where “they” are portrayed as murderous villains while “we” do what we need to in order to keep the world safe. 

Here then is the key message of the film: the law, due process, and the idea of presenting evidence before a jury, should be dispensed with in favor of extra judicial killings. Further, such killings can take place without public oversight. The film not only uses the moral unambiguity of assassinating bin Laden to sell us on the rightness and righteousness of extra judicial killing, it also takes pains to show that this can be done in secret because of the checks and balances involved before a targeted assassination is carried out.

The Disposition Matrix

As I have argued in my book Islamophobia and the Politics of Empire, the Obama administration has drawn the conclusion, after the failed interventions in Iraq and Afghanistan, that conventional warfare should be ditched in favor of drone strikes, black operations, and other such methods of extra judicial killing.

Zero Dark Thirty, nominated for the “best picture of year” Oscar award, is a harbinger of things to come. The National Defense Authorization Act (NDAA) signed into law by Obama earlier this month includes an amendment, passed in the House last May, that legalizes the dissemination of propaganda to US citizens. Journalist Naomi Klein argues that the propaganda “amendment legalizes something that has been illegal for decades: the direct funding of pro-government or pro-military messaging in media, without disclosure, aimed at American citizens.”

We can therefore expect not only more such films, but also more misinformation on our TV screens, in our newspapers, on our radio stations and in social media websites. What used to be an informal arrangement whereby the State Department and the Pentagon manipulated the media has now been codified into law. Be ready to be propagandized to all the time, everywhere.

We live in an Orwellian world: the government has sought and won the power to indefinitely detain and to kill US citizens, all wrapped in cloud of secrecy, and to lie to us without any legal constraints.

The NDAA allows for indefinite detention, and a judge ruled that the Obama administration need not provide legal justification for extra judicial killings based on US law thereby granting carte blanche authority to the president to kill whoever he pleases with no legal or public oversight.

Such a system requires an equally powerful system of propaganda to convince the citizenry that they need not be alarmed, they need not speak out, they need not think critically, in fact they need not even participate in the deliberative process except to pull a lever every couple of years in an elaborate charade of democracy. We are being asked, quite literally, to amuse ourselves to death.

http://mondoweiss.net/2013/01/rebranding-promotion-judicial.html