why white is wicked. under the fabric of the fashion industry
The book from which I took these offcuts is neither alarmist, nor moralizing. On the contrary: Fashion and Sustainability: Design for Change, by Kate Fletcher and Lynda Grose, examines the environmental and social impacts of fashion system calmly. This matter-of-fact tone – together with its masses of well-selected examples – make the book impossible to dismiss as mere advocacy.
Kate Fletcher’s ‘map’, below, charts the types of fibre that had the greatest potential to the produced in a sustainable way.
“many fashion designers find the technical complexity of textile processing to be bewildering”. As Paul Hawken writes in his introduction, although designers are incredibly knowledgeable about style, cut, fabric, colour, and design – “they know far less about back story of fashion – the technology behind the cut, the fibre behind the fabric, the land behind the fibre, of the person on the land”.
The significance of this important book is that fashion’s back story can no longer be ignored. It marks the transition from years of awareness-raising, until now, to years of remedial action to come. It will no longer be an option to plead ignorance, or feign surprise, at the fact that design decisions impact on watercourses, air quality, soil toxicity, and human and ecosystem health, in other parts of the world.
http://observatory.designobserver.com/feature/why-white-is-wicked/34618/
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