cultural roots. reconnecting to a "traditional " cultural/political space.
The Police in Siddhartha Art Gallery apparently thought of the controversial paintings as "Gai Jatre' .
It was there, it seems, that they thought t the paintings belonged. WOW
There is a space for socio- political art in "traditional" societies . Always was and still is.
Modern, Gallery oriented artists exhibiting in galleries- on the sanitising white walls- are loosing out in a big way. Loosing out as they cut themselves off from their cultural roots.
This opens up a whole new space about the place for ART in a' Modern' society. Something that needs a lot more thought.
I need a lot more information about the political space for Art in so called "traditional " Nepali society.
Street theatre in India, like Therakoothoo in Tamilnadu, looks traditional but I know, from experience, how it connects with contemporary sociopolitical issues of the street . On the street.
Something that the 'traditional' performance artists' like the Behrupias do too.
Gai Jatra, Bhaktapur. NOT JUST A MEMORIAL WALK FOR THE DEAD.
It was there, it seems, that they thought t the paintings belonged. WOW
There is a space for socio- political art in "traditional" societies . Always was and still is.
Modern, Gallery oriented artists exhibiting in galleries- on the sanitising white walls- are loosing out in a big way. Loosing out as they cut themselves off from their cultural roots.
This opens up a whole new space about the place for ART in a' Modern' society. Something that needs a lot more thought.
I need a lot more information about the political space for Art in so called "traditional " Nepali society.
Street theatre in India, like Therakoothoo in Tamilnadu, looks traditional but I know, from experience, how it connects with contemporary sociopolitical issues of the street . On the street.
Something that the 'traditional' performance artists' like the Behrupias do too.
Gai Jatra, Bhaktapur. NOT JUST A MEMORIAL WALK FOR THE DEAD.
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