Monday 31 December 2012

of police, politicians and the polis


M J Akbar has it right. The nexus between politicians and police  lies at the heart of the problem.    The problem  of  policing the POLIS. The City . The State. 
This picture from a series I had begun decades ago, say it all. The  police exist to protect the Politicians and their Sacred spaces.  Spaces like Rajpath - the Royal  road to their happy hunting grounds on Raisna Hill. 

That path had to be protected from the People. By any means.   It was. At huge expense to the very idea of Democracy  and its role of  being for the people, by the people, and of the people. 



                                        New Delhi - 1980s. From "The Days of the Gun"

. The Indian police do not protect the British anymore; but they serve a venal system as co-beneficiaries of a corrupt ruling class. The most effective alliance in government is between police and lumpen elements. This transaction is sealed by cash. 





When people sensed that government was protecting police in exchange for police protecting ministers from their own set of crimes, every young woman became truly Nirbhaya. Government heard a scream from people betrayed across the line. 


Rape is the worst form of violence. Men can sympathise, but never fully understand the traumatic abuse of dignity, as Jaya Bachchan so eloquently noted in the Rajya Sabha. The feminist movement gathered steam in the 1970s with a slogan that was clear, concise, and went to the essence: ‘Whatever I wear, whatever I do, Yes means yes, no means no!’ The decision lies with women, not men. 

Governments were forced to submit. Excuses disappeared. Laws changed. 

A government that shrugs off rape is raping the nation.


http://blogs.timesofindia.indiatimes.com/TheSiegeWithin/entry/should-we-call-the-police





 The executive has become so used to lording it over the police that it cannot think of a situation where the police would have autonomy in taking important law and order decisions. It is like a drug addict being asked to give up narcotics.
We need police reforms not for the glory of the police but to ensure that the police uphold the rule of law and the Constitution of the country. At present, they are more bothered/concerned about the wishes and expectations of the political bosses, right or wrong, lawful or unlawful, rather than acting in the larger interests of society. The reductio ad absurdum of the situation is there for anyone to see. The police are not trusted and they do not inspire confidence.
It also needs to be emphasised that police reforms are absolutely essential if India is to emerge as a great power. Economic progress cannot be sustained if we are not able create a safe and secure environment. The democratic structure may also crumble if the police continue to feel inhibited in taking action against criminals, some of whom are entering the portals of democracy.



http://www.thehindu.com/opinion/op-ed/for-a-peoples-police-from-a-delhi-tailwind/article4256353.ece

diversity doom . defend difference or expect extinctions

Defend Difference.  Difference is not dangerous, it is the destruction of  difference that is heralding the end of  too much that we have not even begun to  appreciate.  Natural and Cultural. The Biocultural. 

A MUST READ. 



Experts have long recognized the perils of biological and cultural extinctions. But they’ve only just begun to see them as different facets of the same phenomenon, and to tease out the myriad ways in which social and natural systems interact. Catalyzed in part by the urgency that climate change has brought to all matters environmental, two progressive movements, incubating already for decades, have recently emerged into fuller view. Joining natural and social scientists from a wide range of disciplines and policy arenas, these initiatives are today working to connect the dots between ethnosphere and biosphere in a way that is rapidly leaving behind old unilateral approaches to conservation. Efforts to staunch extinctions of linguistic, cultural, and biological life have yielded a “biocultural” perspective that integrates the three. Efforts to understand the value of diversity in a complex systems framework have matured into a science of “resilience.” On parallel paths, though with different emphases, different lexicons, and only slightly overlapping clouds of experts, these emergent paradigms have created space for a fresh struggle with the tough questions: What kinds of diversity must we consider, and how do we measure them on local, regional, and global scales? Can diversity be buffered against the streamlining pressures of economic growth? How much diversity is 
enough? From a recent biocultural diversity symposium in New York City to the first ever global discussion of resilience in Stockholm, these burgeoning movements are joining biologist with anthropologist, scientist with storyteller, in building a new framework to describe how, why, and what to sustain.



The biological diversity crisis is often called the “Sixth Extinction” because an event of this magnitude has occurred only five times in the history of life on Earth. The last was at the end of the Cretaceous period, when the dinosaurs disappeared. In the past couple hundred years, humans have increased species extinction rates by as much as 10,000 times the background rates that have been typical over Earth’s history. This is a crash that, within the scientific community, is causing a slow panic and a wide belief that the dangers of biodiversity loss are woefully underestimated by most everyone outside of science. 




Addressing the audience at the World Food Summit in May, Alexander Müller, assistant director-general of the UN Food and Agriculture Organization, warned that most of the global food supply had narrowed to just a dozen crops and 14 animal species. According to the FAO, three-quarters of the world’s critically important food-crop varieties have disappeared during the 20th century, and hundreds of locally adapted livestock breeds are on the verge of doing so. “The erosion of biodiversity for food and agriculture severely compromises global food security,” 


The tether between linguistic, cultural, and biological extinction is, however, far more complex than its common, top-down driver of globalization. Once set in motion, the extinctions themselves also become drivers, creating a dense network of positive feedback loops.



 It’s not just species or languages that are vanishing from the world. The world is losing knowledge, too, of the most useful and precious kinds. If the world was losing local knowledge, what else was slipping away?



It is one thing, of course, to recognize on paper that culture and nature, language and landscape, are intimately connected. Discerning what those relationships are, in a rigorous manner, is infinitely more challenging, and it’s the sort of research that Maffi and others are just delving into. Some patterns, however, have already emerged — the most remarkable being a striking geographic overlap: Epicenters of global biodiversity, it turns out, tend to be situated in exactly the same places as the epicenters of high cultural, linguistic, and food-crop diversity. One of these so-called “megadiversity” hotspots sits on the borderlands of Burma, India, and China, in the tropical forests of the Eastern Himalayas. In just one small corner of the region, more than 30 Tibeto-Burman languages are spoken; in the gardens of just three small villages within one tribal district, more than 150 domesticated food-plant varieties are under cultivation.






That the Earth is becoming more homogeneous — less of a patchwork quilt and more of a melting pot — is only partly due to the extinction of regionally unique languages or life forms. The greater contributing factor is invasiveness. According to the 2005 Millennium Ecosystem Assessment report, as rapidly as regionally unique species are dying out, rates of species introductions in most regions of the world actually far exceed current rates of extinction. Similarly, the spread of English, Spanish, and, to a lesser extent, Chinese, into all corners of the world easily dwarfs the rate of global language loss. This spread of opportunistic species and prodigal tongues thrives on today’s anthropogenic conduits of commerce and communications.


Introduce English into a multidialect Alaskan community, and you will increase local linguistic diversity — you are, after all, just adding more to the mix. But gains in local diversity due to new introductions are likely to be short-lived. Just as languages often become overwhelmed by more dominant ones, invasive plants, animals, and microbes often eventually outcompete and replace native life. If even one native grass or one native dialect perishes as a result of these introductions — as is almost always the case — global biodiversity suffers. Thus, homogeneity, while not synonymous with extinction, reflects both extinctions in the past and ones likely to ensue.




But what, ultimately, is the value in diversity? What merits the colossal efforts required to preserve it? According to biologist E.O. Wilson’s often-cited “biophilia” hypothesis, humans have an innate attraction to other kinds of creatures and a desire to live in a world of diverse and abundant forms of life. Pose questions on the value of diversity to a group of people, and some will certainly emerge as biophiles, citing the intrinsic worth of other life forms and other ways of knowing, and therefore, their inherent right to exist. Others will take a more utilitarian tack, mentioning the carbon sink services of a forest or the role of local languages as records of human history. Still others will be hard-pressed to find any value at all. But amid the philosophical, the pragmatic, and the nonexistent, there’s a new paradigm emerging to describe the importance of diversity. For a small group of forward-thinking biologists, ecologists, physicists, and economists who assembled earlier this year in Stockholm, the answer is simple: It’s all about resilience.



Wilson estimates that humans have named only about 1.5 to 1.8 million species, among a total number that scientists put somewhere between 3.6 and 112 million. While no reliable data concerning the level of documentation of the world’s languages exists, a plausible estimate is that fewer than 10 percent are “well documented,” meaning that they have comprehensive grammars, extensive dictionaries, and abundant texts in a variety of genres and media. The remaining 90 percent are, to varying degrees, underdocumented, or, for all intents and purposes, not documented at all.




With organizations such as Conservation International and the World Wildlife Fund, Wilson has spent the past several years advocating for the urgent protection of 25 tracts of land that account for only 1.4 percent of the Earth’s terrestrial surface but house 44 percent of its plant species and more than one-third of all species of birds, mammals, reptiles, and amphibians. He estimates that the cost of this project would amount to around $25 billion — or roughly 5 percent of the US defense budget for 2008. Given the clear geographic overlap between biodiversity and language hotspots — and more crucially, what Maffi and others are identifying as the coevolution of language and ecology — that $25 billion could quite possibly be the best bargain on Earth.




For all that modern, industrialized civilization has produced — from more-abundant food and better medicines to near-instantaneous communications — it is built on what Jules Pretty calls a fundamental “deceit.” In a session on the opening day of the AMNH symposium, Pretty, who heads the biological sciences department at University of Essex, told the audience, “There is an underlying assumption in much of the literature that the world can be saved from these problems that we face — poverty, lack of food, environmental problems — if we bring consumption levels across the world up to the same levels [of] North America and Europe.” But this sort of convergence, says Pretty, would require the resources of six to eight planets. “How can we move from convergence to divergence, and hence diversity?”



Traditional environmentalism, with its tendency to erect impermeable theoretical barriers between nature and culture, between the functions of artificial and natural selection, hasn’t been able to accommodate the perspective necessary to see larger patterns at work. Its distinction — as the writer Lewis Lapham recently put it — “between what is ‘natural’ (the good, the true, the beautiful) and what is ‘artificial’ (wicked, man-made, false)” has obscured their profound interrelatedness. Whether expressed as biocultural diversity or as diverse social-ecological systems, the language of these new paradigms reframes the very concept of “environment.” Explicit in both terms is a core understanding that as human behavior shapes nature in every instant, nature shapes human behavior. Also explicit is that myth, legend, art, literature, and science are not only themselves reflections of the environment, passed through the filter of human cognition, but that they are indeed the very means we have for determining the road ahead.

http://seedmagazine.com/content/article/in_defense_of_difference/

Sunday 30 December 2012

violence. a visual response and a homage


in this world a lot of people are dying, killing over religious things.”

What can one say about the hatred that is being sown around the world.? The first victim of the post 9/11  hatred towards the  suddenly dangerous,non white, 'other' world was another Indian. A Sikh . The attack on a Sikh  gurudwara which killed many more innocent people was also  a hate crime against people who were not white. 

"Why do they hate us?" I would like to turn that American question around and ask it of the Americans.

Why do you hate the nonwhites of the world. ?


In a statement, Mr. Brown quoted Ms. Menendez, “in sum and substance,” as having told the police: “I pushed a Muslim off the train tracks because I hate Hindus and Muslims ever since 2001 when they put down the twin towers I’ve been beating them up.” Ms. Menendez 









Ar Suman, a Muslim, and one of three roommates who shared a small first-floor apartment with Mr. Sen in Elmhurst, said he and Mr. Sen often discussed religion.
Though they were of different faiths, Mr. Suman said, he admired the respect that Mr. Sen showed for those who saw the world differently than he did. Mr. Suman said he once asked Mr. Sen why he was not more active in his faith and it resulted in a long philosophical discussion.
“He was so gentle,” Mr. Suman said. “He said in this world a lot of people are dying, killing over religious things.”


http://www.nytimes.com/2012/12/30/nyregion/woman-is-held-in-death-of-man-pushed-onto-subway-tracks-in-queens.html?_r=0

Saturday 29 December 2012

of rape and recovery. the healing voice of "the vagina monolgues'


 Reading this interview made me realise that  Indian society needs something more important than calls for  capital punishment .  Healing !   
The healing of the victims of rapes. Rapes that continued around the country even as the young woman lay dying. And died. Died,one hopes.not in vain. 

Eve Ensler: I've been in the Congo for the last five years. I went there at the invitation of a doctor named Dr Denis Mukwege who is the director of a hospital called the Panzi Hospital in Bukavu, DRC. I went there because I had heard him talk about the horrific atrocities that were being committed against women's bodies and against people in the Congo. Six million people have died there in the last 13 years, and hundreds and hundreds of thousands of women have been raped and tortured. I went there for the first time five years ago and spent weeks interviewing women and listening to the stories, and to be honest I was utterly shattered.
i've been in many war zones and I've travelled the rape mines of the world, from Afghanistan to Haiti to Bosnia to many terrible situations, but I have to tell you, nothing compared to what I met in the Congo. The rape of babies, the rape of little girls, gang rapes, the destruction of babies inside women's wombs, the use of all kinds of terrible implements inside women, and all or mostly in the name of getting minerals from mines, because once you destroy a family by raping a wife in front of a husband or forcing a husband to rape a daughter or a son to rape a mother, you destroy the infrastructure of the family, the family is split apart, the people flee the village and the militias come and take over the mines.




Eve Ensler: Me too. I should have said that my favourite kind of theatre is the theatre where people tell stories. I was saying this to a class I did today at the Sydney Theatre Company, we did a class on monologues and I was saying that my experience of the world is that the 99% live invisibly, live with unspoken, untold stories because the dominant narrative is the narrative of the rich and the narrative of those that control the media and control the culture.
So most people on the planet have not only never told their story but they've never seen or heard their story in the dominant culture. I think when people begin to tell their stories, everything changes, because not only are you legitimised in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.






Michael Cathcart: Eve, you've chosen to live in the presence of terrible suffering, terrible abuse. How do you maintain this joy?
Eve Ensler: That's a good question. Well, let me see if I can describe it…you know, I think for so many people we're taught that if we don't feel our pain and we don't talk about our secrets and we don't tell our story and we don't feel our sorrow, we'll be fine. The exact opposite is actually true, that the more you repress, the more depressed you are, the more you deny, the less energy you have.
Yes, I do live in the face of enormous suffering, but I also live in the face of enormous joy, where people are changing and transforming their suffering. I have the privilege of travelling the world and spending time with the fiercest most revolutionary women on the planet, women we call vagina warriors, who have literally taken this horrible thing that's been done to them and transformed it into devotion and service and action and theatre.
And I get to be in the presence of those women, whether it's Agnes Pareyio in Kenya who is stopping female genital mutilation, or Rada Boric in Zagreb who is one of the great feminist leaders, or Christine Schuler Deschryver who is leading the City of Joy, or Zoya in Afghanistan who's a young revolutionary whose mother was the greatest revolutionary, I get to know all these women, I get to be in their presence, I get to be fuelled by their energy.
And I think for me, happiness is crucial, but I think we think that happiness comes from amassing goods and getting things and being loved and being successful, when in fact my experience of happiness comes when you give everything away, when you serve people, when you're watching something you do make somebody happy, that's when happiness happens.


http://www.abc.net.au/radionational/programs/booksandartsdaily/eve-ensler-on-art-and-activism/4392232

Africa - a fiction of the european imagination

A book I will just have to read. Africa is going to be the centre of more than just humanity's beginnings. It will be a war zone soon - for other peoples' wars.Just as it has been the creation of other peoples' imaginations.




Africa’s first Nobel Prize laureate, Wole Soyinka, has published his latest book: Of Africa, in many ways a summing up of his earlier pronouncements about the continent vis-à-vis its relationship to the West.  The Nigerian writer has written so many books (plays, poems, essays, autobiography, novels, political commentary) that his publishers no longer list the works opposite the title page.  By my rough calculation, these works total around fifty titles, and I’ve read almost all of them.  That is how important Soyinka is to African letters. Hard to imagine what the shape of African literature, let alone Nigerian politics, would be without Soyinka’s strong moral voice.
Is there anything new that Soyinka can say?  The answer is an emphatic yes.  In his preface Soyinka explains, “Ultimately…it is humanity, the quality and valuation of its own existence, and modes of managing its environment—both physical and intangible (which includes the spiritual)—that remain the primary, incontestable assets to which any society can lay claim or offer as unique contributions to the attainments of the world.  This interrogation constitutes our primary goal in its limited excursion into Africa’s past and present.”
Acknowledging that Africa is a “continent of extremes,” at the same time Soyinka states that Africa is “an intimate part of the history of others” (think European colonialism, slavery in North and South America).  Yet, “History has erred.  All claims that Africa has been explored are as premature as news of her imminent demise.” These quotations are from the preface, laying out the territory explored in the rest of the book.


 “Africa remains the monumental fiction of European creativity.” Notice that the verb is in the present tense.  Soyinka continues, “Every so-called nation on [the] continent is a mere fiction perpetrated in the cause of external interests by imperial powers, a fiction that both colonial rule and post-independence exertions have struggled and failed—in the main—to turn into an enduring, cohering reality….  Africa has paid, and continues to pay, a heavy price for the upkeep of a European fiction.”





Ultimately, they both write about power and how that power (whether external or internal) has shaped the African continent: Achebe, the continent’s heart; Soyinka, the continent’s mind.
Of Africa is the most significant book about the Africa—especially as an antidote to the ills of the rest of the world—that I have read in years.  Reading Soyinka’s dense prose is often a challenge, but the message is long overdue.
Wole Soyinka: Of Africa 



http://www.counterpunch.org/2012/12/28/always-for-the-sake-of-religion/

sci-fi reality . the cutting edge of people control and kill systems

The real  avant garde is no longer part of  the Art world.  The cutting edge of research  is in the kill and control game aimed at people. And it is as futuristic as it is frightening.

 And this is just what is in the public domain.

Beware ! Be aware.


Sure, the gear may look like it came straight out of Avatar or Battlestar Galactica. But all of the laser weapons, robots, sonic blasters and puke rays pictured here are real. Some of these weapons have already found their way onto the battlefield. If the rest of this sci-fi arsenal follows, war may soon be unrecognizable.
Read on for a look at some of these futuristic weapons being tested today.


http://www.wired.com/dangerroom/2010/01/sci-fi-weapons/all/




Military-Industrial Artist

Let's face it, your artistic talent is going to waste working for minimum wage at that coffee bar. And you're not exactly using your top-secret security clearance either, brewing up mochaccinos. Luckily, there's a job that combines your comic book skills with your remarkable ability to make it through art school while only barely hitting the bong. Virginia-based Pentagon contractor TASC is looking for a graphic artist to join their "Global Systems Business Unit." There you'll design "creative artwork" that can "communicate mood, emphasis, insight, viewpoint, and similar visual impressions" through brochures, emblems, and posters. That's like band and gig posters, right? Sure, if you think of "gig" in terms of engineering support for the Pentagon's fleet of spy satellites. (You'll also have to clear a polygraph test.) And not to worry. While the corporate culture of the military-defense industry can be a little square, TASC wants to use satellite data to "move from reporting historical location information to predicting events," company vice president Robert Horback told Geospatial Intelligence Forum. Hipster credibility is based on knowing what's cool in advance of everyone else, so it's a perfect job, really.

http://blog-admin.wired.com/dangerroom/2012/12/crazy-military-jobs/?pid=1731&viewall=true



Friday 28 December 2012

the artist ----countering the control collective

Worth  a read. Time to think.  And oppose the creation of controlling collectivism.



Whatever his medium, the artist stands outside the group and group’s slogans.






The artist opposes the most popular trends of the moment.
The trend now, under various guises, is the Collective.
We need to realize that the Collective, no matter how it is defined or shaped or covertly hidden, is seeking to marginalize the person who imagines and creates new realities.
The artist is able to spot the Collective. He opposes it.




The artist not only sees, with great clarity, the mindless brain-dead gatherings of Collectives; he not only sees how they are built; he not only sees how they import “the highest ideals” to flesh out their slave-programs and objectives; he not only rejects all this; he creates something entirely different.









The Collective is a fungus that seeks to swallow up people and nations. It enlists the highest-flying ideals as a cover. It sweeps away resistance with what seems like the most honorable of intentions.
Humanity on this planet has been undergoing a transformation into one ten-billion-member cult. You can find its leaders just by listening to their voices and their sentiments. They all come from the same manual.
This is really war by other means.
In the dying days of the engorged Roman Empire, which had squandered its capital through wars of conquest, it was decided that these other means were necessary. And so the Roman Church was invented. It would employ all the idealisms of past ages.
It would actually produce an unprecedented version of mind control as the weapon of conquest.
And today, we have “the Global outlook.” This is the silky cover for drawing in populations to a perverse dream of unity for all.
“We will harmonize the world.”
This is exactly the kind of program the artist has always rejected.




People want a certain level of defined comfort, and they want to BELONG TO SOMETHING.
“I want to belong. It’s my reason for being. It’s my hole card. Therefore, I’ll sit on my imagination, so it won’t take me out beyond this thing I want to attach myself to.”

The propaganda machines of society relentlessly turn out images and messages that ultimately say: YOU MUST BELONG TO THE GROUP.







http://www.infowars.com/the-artist-against-the-system-down-through-time/

the eyes of "I"nstagram. power and guns

How people see and want to  show themselves has always fascinated me. That, in a way, is what lies at the bottom of my photography battle about the right to represent oneself in photographs.

The surge of "power" that anyone holding a gun, feels is very sexual. Overpoweringly so.  And now social media like "I"nstagram gives everyone the space to project that feeling of over sexualised   "Pow"er.

Check out these two links. They are linked by the common attachment to guns and the power they project. The power of  two of the most gun driven societies in the world. Bonding and bonded by the barrels of guns. By the power they give to grab land and control  resources that  belong to Others.







Santa Claus came to town - and he was packing heat - as numerous Americans were seen on social networks posing in front of their Christmas trees with the same assault rifle used by the gunmen in three recent bloody killings.
Grinning from ear-to-ear, those who received AR-15 assault rifles took to sites like Twitter and Instagram, posting photos of themselves with their brand new toys.
One Twitter user posted: 'I got just what I wanted. An Armalite semi-automatic AR-15 rifle. It's like the Christmas Story, but I'll shoot more than my eye out.'



Santa Claus came to town - and he was packing heat - as numerous Americans were seen on social networks posing in front of their Christmas trees with the same assault rifle used by the gunmen in three recent bloody killings.
Grinning from ear-to-ear, those who received AR-15 assault rifles took to sites like Twitter and Instagram, posting photos of themselves with their brand new toys.
One Twitter user posted: 'I got just what I wanted. An Armalite semi-automatic AR-15 rifle. It's like the Christmas Story, but I'll shoot more than my eye out.'
Packing heat: Numerous Americans were seen on social networks posing in front of their Christmas trees with the same assault rifle used by the gunmen in three recent bloody killings
Packing heat: Numerous Americans were seen on social networks posing in front of their Christmas trees with the same assault rifle used by the gunmen in three recent bloody killings
Just what I wanted: Grinning from ear-to-ear, those who received AR-15 assault rifles took to sites like Twitter and Instagram, posting photos of themselves with their new toys
Just what I wanted: Grinning from ear-to-ear, those who received AR-15 assault rifles took to sites like Twitter and Instagram, posting photos of themselves with their new toys


http://www.dailymail.co.uk/news/article-2253337/Americans-pose-Christmas-tree-guns-got-gifts.html





War sporno: How the Israeli army uses sex and Instagram to sell its racism and violence

Note: This post contains discussion of obscenity and images which include partial nudity

הBFF החדש שלי

הBFF החדש שלי on Instagram
Nadav Peretz (user ifluffy) photographs his uniform-clad groin with his weapon suggestively poking up between his legs. (Source)
Nisim asis 22 year’s old. Jerusalem-Israel.. I like dead Palestinian ppl :-)

Israel’s use of Instagram for propaganda


In September 2012, the Israeli army announced that it would begin using Instagram as part of its propaganda operations.
During “Operation Pillar of Defense,” Israel’s eight-day bombing campaign on Gaza in November, which killed more than 170 Palestinians, including three dozen children, the Instagram outlet was exploited to disseminate photos of soldiers and square infographicsspecially formatted for Instagram.
Major media outlets including BuzzFeedMSN, and CBC published photos from individual soldiers’ accounts which were ostensibly personal.
In the past, the Israeli army has regulated soldiers’ use of social media when soldiers’ posts exposed military secretsembarrassed the army or hinted at abuses and crimes.

Using sex to sell Israel

Israel has in the past used sexuality to promote itself to western publics. For example, in 2007, Israel worked with men’s magazine Maxim to develop a photo feature titled “Women of the Israeli Defense Forces.” The BBC reported:
Israel has decided to reach out to young US men by publishing images of semi-clad female former soldiers in US men’s magazine, Maxim.
The pictures are part of a public relations drive to improve the image of the country within the US.
Maxim said it was “pleased” with the result of its collaboration with the Israeli consulate in New York, which came up with the idea.
In recent years, Israel and the Tel Aviv municipality have specifically promoted Israel as a destination for gay male sex tourism. The work of right-wing extremist Islamophobic pornographic filmmaker Michael Lucas has turned Israeli soldiers into an attraction for gay tourists while Omer Gershon — the gay flotilla hoaxer and hasbara activist — has said thattourists find Israeli men “very exotic.”


http://electronicintifada.net/blogs/benjamin-doherty/war-sporno-how-israeli-army-uses-sex-and-instagram-sell-its-racism-and


Thursday 27 December 2012

participatory art of the new technology kind.


Indian artist Raghava KK is working to morph art into a participatory platform that can break bias -- and he's doing it with an EEG headset.

Speaking at Wired 2012 and introduced by Lakshmi Pratury, who creates an ecosystem for youth through INKtalks, Raghava KK explained that he himself is not bias-free -- that would be an almost impossible ask. But, he is trying to introduce as many biases as possible into his work and give the audience the power to change those biases.

"The truth is I'm an Indian -- I'm bloody biased, but I want my work to be biased with as many perspectives as possible."
This, he believes, can be possible if we change our perceptions of art as a one-way directive, with a piece of work dictating the message and ther viewer merely interpreting it. Why not bring the viewer into the artwork, giving them the opportunity to change it from within, he asks.





His latest project with Sean Stevens is where the work he did with the flamenco dancers and the children's narratives came together. Donning an EEG headset on stage at Wired 2012, Raghava KK demonstrated how, with his mind, he could control an image of a woman's face. Hooked up to a computer his alpha, beta and gamma waves were processed live and morphed the woman's expression. This, Raghava KK believes, represents a future where viewers in a gallery become part of the art, and the art, part of them.
"A lot of my work is about trying to bring my art to life," he said. "My dream is that art becomes completely participatory. I want everyone to participate in art because I think creativity is about empathy -- artists are going to use technology to work with people to participate in their art."



http://www.wired.co.uk/news/archive/2012-10/25/raghava-kk-artist

militarised mutants. the mad edge of warmaking

The civilian spin off is, as usual, an afterthought used to sell the programs.  The main aim is as mad as ever. Better Killing Machines for the  Perpetual Wars that drive Western economies.


Greater strength and endurance. Enhanced thinking. Better teamwork. New classes of genetic weaponry, able to subvert DNA. Not long from now, the technology could exist to routinely enhance — and undermine — people’s minds and bodies using a wide range of chemical, neurological, genetic and behavioral techniques.
It’s warfare waged at the evolutionary level. And it’s coming sooner than many people think. According to the futurists at the U.S. National Intelligence Council, by 2030, “neuro-enhancements could provide superior memory recall or speed of thought. Brain-machine interfaces could provide ‘superhuman‘ abilities, enhancing strength and speed, as well as providing functions not previously available.
Qualities that today must be honed by years of training and education could be installed in a relative instant by, say, an injection or a targeted burst of electricity to the brain. Rapid advancements in neurology, pharmacology and genetics could soon make such installations fairly easy.



These modifications could give rise to new breeds of biologically enhanced troops possessing what one expert in the field calls “mutant powers.” But those troops may not American. So far, the U.S. military has been extremely reluctant to embrace human biological modification, or “biomods.” And that could result in a veritable mutant gap. In this new form of biological warfare, the U.S. could find itself outgunned.
Specific enhancement methods Herr studied include: focused diet and exercise regimens; injections of the stress-inhibiting brain molecule neuropeptide Y; electroshock-style Transcranial Direct Current Stimulation to boost thinking; and gene therapy for enhancing a whole host of body functions by literally altering a person’s DNA with viruses or chemicals.

In one dire scenario, an army might attack its enemies by changing their physiology to make them dumber, slower, more afraid. In The Atlantic recently, two researchers even discussed the possibility of governments or terror groups genetically assassinating enemy leaders by tailoring cancers specifically to the target’s DNA. The authors pointed out that the U.S. State Department already surreptitiously collects DNA samples from foreign dignitaries.


There are several ways these theoretical bio-attacks could be accomplished. At an August war game hosted by the Army, Herr and other experts said biological agents could be slipped into an enemy’s food or water supplies or dispersed by air. Herr says it could also be possible to secretly add an agent to a commercial product. “Someone thinks he’s taking protein powder but he’s really taking God-knows-what.”

http://www.wired.com/dangerroom/2012/12/andrew-herr/all/

free press?anyone?anywhere?


There was a time when al Jazeera was  my channel of choice. The Beeb was a bygone, long compromised, story. CNN had not been on my visual horizon since the  first Gulf War. 
There is no international TV channel that I can now turn too.  They are all compromised. Cashed out. Cashiered. 


The long-time Berlin correspondent for Al Jazeera, Aktham Suliman, recently resigned from his post. The journalist tells DW that the Qatari government is exercising undue influence on Al Jazeera's reporting.
DW: You've criticized Al Jazeera as lacking in professionalism, and you've quit your post as the broadcaster's Berlin correspondent. Is Al Jazeera following a specific agenda?

Aktham Suliman: I have to say that professionalism is now lacking at Al Jazeera. When I started in 2002, I didn't have that impression - quite the contrary. Of course there were fundamental, long-term problems, but in the last two years Al Jazeera has really let itself go in terms of professionalism.

It's possible that it does have an agenda, but of course no one makes it clear. The thing is that, if you're professional, you can deal with an agenda. If the employees, the editors or the owners had one and tried to impose it, professionalism would ensure that this didn't happen at the cost of high quality journalistic product.
But that's precisely what didn't happen when efforts were obviously being made to impose on Al Jazeera the agenda of the state of Qatar. The problem is that the organization lacks internal structures that would immunize it against what was presumably an attempt by the owner or by the editors to interfere politically in things that should have been handled in a journalistic manner.





The most important example is the conflict in Libya. Of course Muammar Gadhafi was a dictator, and of course he'd ruled for far too long. Of course there was a desire among the Libyans to get rid of him. All that is clear. But it's also clear that killing a dictator, as happened with Gadhafi, is absolutely unacceptable on human rights grounds, revolution or no. And that's not emphasized. That is: We stressed the necessity of a revolution in Libya and the humanity of the revolutionaries, but said nothing about the murder of a dictator.

What should also give us pause for thought is that it wasn't just Gadhafi who was killed. Many others were killed after him - including, incidentally, the man who shot Gadhafi. He was killed by another group of revolutionaries. That's the actual environment in Libya. And that's exactly what you don't see on today's Al Jazeera. That's not professional.



What's your take on German reporting on the Gulf states?

Catastrophic, scandalous, unforgivable. Of course, German and Western politicians are required to defend the interests of their countries. But why do journalists do that? It's extremely rare that German media report critically about Saudi Arabia or Qatar. There's seldom any reference to the fact that in Saudi Arabia you need a filming permit even if you're filming on the street, nor is there much discussion about the human rights situation in these countries.

It's also scarcely mentioned in German media that there is genuine slavery there. Asian workers come to these countries, work a few years in Qatar, Saudi Arabia or the United Arab Emirates, and then return home - often a complete wreck. The women often return home pregnant. These people can spend 50 years in the Gulf and still never be granted citizenship. Those are unbelievable, inhumane circumstances - and that's never discussed. Instead, you'll see long reportages on German TV about some emir somewhere having so and so many castles and vintage cars. That's scandalous, incredible, and unforgivable.



http://www.dw.de/suliman-al-jazeera-plays-the-piper-but-qatar-calls-the-tune/a-16477490

Wednesday 26 December 2012

2013. make it a new beginning.



 The 2012 WinterSolstice did not end our days forever. It did not freeze time or set the world aflame.

 The days are becoming longer.  As usual.  As they always have. As they always will.

 The cycles go on . Changes continue to  happen too. Again, as they always have and always will.

 To make the  changes something positive is what matters now. Let  2013 be a new beginning. Make it a new beginning.

Read and be inspired.


As this wild year comes to an end, we return to the season of gifts. Here’s the gift you’re not going to get soon: any conventional version of Paradise. You know, the place where nothing much happens and nothing is demanded of you. The gifts you’ve already been given in 2012 include a struggle over the fate of the Earth. This is probably not exactly what you asked for, and I wish it were otherwise -- but to do good work, to be necessary, to have something to give: these are the true gifts. And at least there’s still a struggle ahead of us, not just doom and despair.

Think of 2013 as the Year Zero in the battle over climate change, one in which we are going to have to win big, or lose bigger.  This is a terrible thing to say, but not as terrible as the reality that you can see in footage of glaciers vanishing, images of the entire surface of the Greenland Ice Shield melting this summer, maps of Europe’s future in which just being in southern Europe when the heat hits will be catastrophic, let alone in more equatorial realms.
For millions of years, this world has been a great gift to nearly everything living on it, a planet whose atmosphere, temperature, air, water, seasons, and weather were precisely calibrated to allow us -- the big us, including forests and oceans, species large and small -- to flourish. (Or rather, it was we who were calibrated to its generous, even bounteous, terms.) And that gift is now being destroyed for the benefit of a few members of a single species. 



As this wild year comes to an end, we return to the season of gifts. Here’s the gift you’re not going to get soon: any conventional version of Paradise. You know, the place where nothing much happens and nothing is demanded of you. The gifts you’ve already been given in 2012 include a struggle over the fate of the Earth. This is probably not exactly what you asked for, and I wish it were otherwise -- but to do good work, to be necessary, to have something to give: these are the true gifts. And at least there’s still a struggle ahead of us, not just doom and despair.



Paradise is overrated. We dream of the cessation of misery, but who really wants a world without difficulty? We learn through mistakes and suffering. These are the minerals that harden our bones and the milestones on the roads we travel. And we are made to travel, not to sit still.

Take pleasure in the route. There is terrible suffering of many kinds in many places, but solidarity consists of doing something about it, not being miserable. In this heroic age, survival is also going to require seeing what fragments of paradise are still around us, what still blooms, what’s still unimaginably beautiful about rivers, oceans, and evening skies, what exhilaration there is in witnessing the stubbornness of small children and their discovery of a world we think we know. All these are gifts as well.

http://www.tomdispatch.com/post/175632/tomgram%3A_rebecca_solnit%2C_2013_as_year_zero_for_us_--_and_our_planet/